The Departed (2006)

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Re: The Departed (2006)

Postby wpqx » Tue Nov 07, 2006 8:07 am

I have to disagree. For quite a while Raging Bull would have been my clear favorite, but the more I watch and think about Goodfellas the better I like it. Plus I think Goodfellas is his most compulsively watchable film. Raging Bull drains you. I must say that the last time I watched Casino it was certainly better than the first time, and agreed on the underrated quality of Bringing Out the Dead.

Re: The Departed (2006)

Postby madhuban » Sun Dec 31, 2006 3:49 pm

Saw The Departed yesterday and loved it. It is definitely going to make my 2006 list

Re: The Departed (2006)

Postby hengcs » Wed Jan 03, 2007 7:15 am

great ...
have you watched the Infernal Affairs?

Re: The Departed (2006)

Postby madhuban » Thu Jan 04, 2007 5:59 pm

No, hengcs, I haven't seen Infernal Affairs. I'll try and rent it this weekend. Should be interesting to compare the two in the light of your comments.

Re: The Departed (2006)

Postby hengcs » Mon Feb 26, 2007 7:50 am


Re: The Departed (2006)

Postby howardschumann(d) » Mon Feb 26, 2007 4:19 pm

Directed by Martin Scorsese (2006), 151 minutes

Based on the popular Hong Kong action thriller Infernal Affairs, Martin Scorseses The Departed has kinetic energy, an outstanding ensemble cast, a world-class director, and tense non-stop action but ultimately fails to provide any genuine emotional satisfaction. Scorsese, whose Taxi Driver, Raging Bull and Goodfellas are classics of the genre, has come up with another gritty urban drama but, unlike his earlier efforts, it is filled with casual, cartoonish killing and a point of view that the excesses of organized crime and law enforcement are virtually indistinguishable. In an environment that does not distinguish between ends and means, there is no one to root for and those that do find a character to cheer for are begging for disappointment.

Set in the mean streets of South Boston, The Departed is the story of an undercover cop (Leonardo DiCaprio) planted in the Costello crime syndicate and a mole (Matt Damon) who infiltrates the police force, pretending to be a cop. The film comes out of the gate roaring with the Rolling Stones Gimme Shelter providing the background to a street fight. The first Irish Mafioso we meet is Frank Costello, played by Jack Nicholson. In a flashback, Costello recruits a youngster named Colin Sullivan by buying groceries for his family. Later, Sullivan goes to work for Costello when he becomes a detective sergeant in the police force. Unfortunately, Mr. Nicholson performance is so over-the-top that we are all too conscious that we are watching Jack Nicholson, the actor not Frank Costello, the mob kingpin.

Sullivan is played by Matt Damon as a one-dimensional Southie character just out of Good Will Hunting (I was half expecting Ben Affleck to wander into the scene with the rest of his drinking buddies). Sullivans superiors are devout Catholic Captain Queenan (Martin Sheen) and Sergeant Dignam in an Oscar-nominated performance by Mark Wahlberg. Dignam has the most quotable lines in the film, but his character is so foul-mouthed and antagonistic that he soon becomes tiresome. The most accomplished performance in the film is that of Leonardo DiCaprio as Billy Costigan, a tough but sensitive undercover cop who comes from a family with a criminal background and fits into the Costello organization but has to swallow Valium just to stay on an even keel.

There is some love interest in the film as well. Both Billy and Colin fall for the police mental health counselor Madolyn (Vera Farmiga). Ms Farmiga does a creditable job but her part is so underwritten that it feels extraneous. Both Costello and the police soon discover that they have a rat in their midst and Sullivan and Costigan are assigned the job of finding the fink. As the noose tightens, both men desperately strive to avoid detection and there is lots of action as the dead bodies pile up.

The Departed is a finely crafted film, excellently photographed by Michael Ballhaus and for the most part very well acted. Unfortunately, the plot is very thin and there is little character development or seriousness of purpose. While Scorsese should be acknowledged for telling the truth about the thin line between criminals and the law, the ending is so downbeat that it leaves us wondering what point other than futility the film is trying to make. During two and one-half hours of gratuitous violence, betrayals, double-crosses, and one-note characters, the departed may include members of the exhausted audience.



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